Åsne Melhuus Art
Contemporary
Artist

ABOUT
Åsne (b. 1975). Brought up in the beautiful countryside surroundings in Ringsaker, in the middle east of Norway. Being outdoors and nature is very important to Åsne.
Åsne has from early life been a creative person: painting, drawing,
Åsne also make acrylpaintings on orders in regards to colours.
Exebitions:
Dec. 2012: Sepparat exebition. “All is Nature/ Nature is all”
June 2018: Sepparat exebition: ” Soulscape/ Landscape”
Nov 2018: Lions Nordtrand art exebition representing the most important artists in Norway.
April 2019: Åsnes Art is invited and sent to an international exebition in Beijing for comtemporary art crossing borders.
60cm x 60cm
60cm x 60cm
60cm x 60cm
50cm x 40cm
60cm x 40cm
50cm x 40cm
60cm x 60cm
60cm x 40cm
Upchttps://pashminart-emerging-artist.com/en/artist/aasnes-melhuus.htmloming events
April-May, 2019 | Beijing
“CROSSROADS OF THE WORLD”
Contemporary Art Special Zone- Fangshan Times Piazza Sculpture Great Event Starting Point
B
About the Exhibition:
Pashmin Art Consortia in cooperation with different art museums around the world actualize the “Pashmin Art Circulation” Projects wherein artists from different countries participate.
The achievements of each artist are seen in his or her individual and national artistic language. Exhibitions show a wide range of exhibits from the categories of sculpture,painting, photography, installation, video art, etc. To understand the unfamiliar means, first and foremost, to learn about its cultural background, to perceive and to accept the differences, and at the same time to discover the similarities.
The theme of the exhibition is “The Crossroads of the World”. This exhibition will show a sign of being together, a symbol of love and friendship mirrored in culture. In this case, different cultures are undoubtedly cross-fertilized.
The duration of the exhibition is : 6 April – 6 May 2019
Why Åsne Melhuus’s is selectes to this exebition:
Åsnes work tries to connect the outside landscape to the inner landscape or as she calls it,